YOUR MITZVAH

THE MITZVAH PHOTO PLANNER

From Torah to Hora. And everything in between.

A Bar or Bat Mitzvah has a lot of moving parts.

Family. Grandparents. Torah. Tallis. Rehearsals. Ceremonies. Lunches. Parties. Speeches. Friends. Dancing. And usually at least one person asking where they're supposed to be.

I've photographed a lot of Mitzvahs over the years, and I've learned that the best photographs don't come from turning the day into a photo shoot.

Quite the opposite.

A little planning beforehand gives us the freedom to forget about the photography once the day actually starts.

This isn't a list of rules. It's the stuff I wish every family knew before their Mitzvah.

Plan the photographs. Then go have a Mitzvah.

 

BEFORE WE GET INTO IT

Start with the things that actually matter.

You don't need to have every detail figured out before we talk.

But a few basics make everything easier, particularly when there are multiple locations, grandparents, extended family and a room full of people running on a schedule.

The five things I want to know first

The date. Or dates. Rehearsal, ceremony, lunch, evening party.
The locations. Synagogue, home, park, party venue and anywhere else we're going.
The rough timing. It doesn't need to be down to the minute yet.
The family. Who absolutely needs to be in the family photographs?
Anything unusual. A special Torah. A family tradition. A surprise performance. Divorced or blended families. Mobility issues. Anything wonderfully chaotic that I should know about.

JONNI'S RULE
Don't build the day around photography. Build a good day, then give the photography enough room to breathe.

THE REHEARSAL

The easiest place to make the ceremony photographs better.

A rehearsal isn't just a practice run.

It's one of the best opportunities we have to make beautiful photographs without trying to do everything while guests are arriving and somebody is wondering where the kippahs went.

We can photograph the Torah, tallis, yad, bimah and all the small details properly. We can make portraits without a hundred people watching. And if photography isn't permitted during the actual service, the rehearsal becomes even more important.

This is also a great time to bring grandparents.

We're not fighting the clock quite as hard, everyone can relax, and we can make the photographs that would be much more difficult on the actual day.

Bring with you
Tallis
Kippah
Yad
Anything personal or meaningful you want photographed
Grandparents, if they're part of the rehearsal photographs

And if there's a meaningful Torah, family heirloom or special ritual,
point it out to me.
I won't know that the slightly battered kiddush cup belonged to your great-grandfather unless somebody tells me.

GRANDPARENTS

Do these photographs while everyone is fresh.

Grandparents are important.

They're also not necessarily interested in standing around for 45 minutes while we photograph every possible combination of cousins.

If grandparents are joining us, give them a
specific arrival time.

I'll photograph them efficiently, make sure we get the combinations that matter, and then let them sit down, have a coffee, kibitz, or tell me that the last photographer did it differently.

I've got thick skin.

If mobility is an issue, tell me beforehand. We'll choose the easiest location and bring everybody else to them rather than making them move around unnecessarily.

Grandparents first. Everybody wins.

FAMILY PHOTOGRAPHS

Organized enough to be painless.
Loose enough to feel like you.

The fastest way to lose twenty minutes is to decide family combinations while everybody is standing there.

So let's not.

Send me the important groupings beforehand.

Start with the must-haves

Immediate family

Parents with the Mitzvah kid

Siblings

Grandparents

Each side of the family

Aunts, uncles and cousins if they're important

Godparents or particularly close family friends

A QUIET WORD BEFOREHAND

If you have a blended family, divorced parents or a family situation that requires a little diplomacy,
tell me privately beforehand.

I've done this a lot. You don't need to explain it in front of everybody on the day.

Then let it breathe.

Once we've got the photographs we have to have, I want people interacting.

Walking. Laughing. Talking. Parents embarrassing their children. Siblings being siblings.

Those are usually the photographs that end up meaning the most.

AND YES...
Bring the dog.

If the dog is part of the family, bring the dog.

We'll photograph the dog early, before the dog decides the entire Mitzvah is actually about the dog.

PORTRAITS

A few beautiful ones. Then we move on.

I want enough time to make strong portraits without turning your Mitzvah into a modelling session.

If we've got good light, a workable location and a little breathing room, we can get what we need and get everybody back to the actual celebration.

Portraits can happen at the synagogue, at home, at the party venue or somewhere outside.

A nearby park can be fantastic.

A beautiful park twenty-five minutes away during Toronto rush hour is considerably less fantastic.

Think about

Where you want the portraits made

Travel time between locations

Comfortable shoes if we're walking

Weather and a backup plan

How much time the kids will realistically tolerate

KEEP IT SIMPLE
Don't schedule fifty combinations.
Leave some room for photographs to happen.

THE LITTLE THINGS

They disappear quickly.
Photographs don't.

PART OF THE STORY
A handwritten note.
The invitation.
A grandparent fastening a tallis.
Shoes kicked under a chair.
The yad.
A kiddush cup.
A sign everybody thinks is hilarious.
The centrepieces somebody spent six months choosing.

The little things are part of the story too.

If there are small objects you want photographed,
put them together before I arrive.

I can photograph everything quickly instead of sending somebody on a scavenger hunt while we're supposed to be doing family portraits.

THE CEREMONY

Know the rules before the room fills.

Every synagogue is different.

Some allow photography during the service. Some restrict where I can stand. Some allow photography without flash. Some don't permit photography at all.

FIND OUT BEFOREHAND
Know what your synagogue allows.
If photography isn't permitted during the actual ceremony, that's completely fine. It simply makes the rehearsal photographs more important.

I also want to know about the things that make your ceremony different.

Tell me about

Aliyot

Special readings

Family honours

Presentations

A candy toss

A procession

Meaningful traditions

Anything happening once that I need to anticipate

BEFORE GRANDMA STANDS UP
If Grandma is presenting something that has been in the family for eighty years, that's useful information before Grandma stands up.

LUNCH, SCHMOOZE & PARTY

They're different events.
Photograph them differently.

Not every Mitzvah needs a giant Saturday-night party.

Some of my favourite celebrations are lunches and afternoon schmoozes where everybody actually has time to talk to one another.

The photography should fit the event.

RELAXED
Lunch or schmooze

I'm looking for family, hugs, conversations, speeches, kids running around and all the little interactions happening between the obvious moments.

It should feel relaxed because it is relaxed.

DIFFERENT ANIMAL
Evening party

Room details. Entrances. Hora. Speeches. Candle lighting. Dancing. Friends. Grandparents watching the madness. Kids being kids.

Once the party gets moving, I'm not interested in constantly stopping it.

I want to photograph the energy that's already there.

JONNI'S RULE
Once the party starts, let it be a party.

 

LIGHTING

Moody is great.
Pitch black is less useful.

I love atmospheric party lighting.

Your photographer and your DJ or lighting company just need to be on speaking terms.

Deep colour, moving lights and a great-looking dance floor can photograph beautifully.

But if every face is permanently blue, purple or completely dark, there's only so much anybody can do.

A few useful things

Tell your lighting company that photography matters

Keep some usable light on the dance floor

Avoid blasting strong coloured light directly onto faces during speeches

Let me know if you're planning a dramatic room reveal

If something special happens with the lighting, tell me when

We don't need the room to look like Costco.


We just need to be able to see people.



THE HORA

Controlled chaos.
Mostly without the controlled part.

The hora moves quickly.

People disappear behind chairs. Grandparents suddenly become dancers. Somebody loses a shoe. Someone else decides they're capable of lifting a 200-pound uncle over their head.

This is not the moment for me to organize anything.

It's the moment for me to photograph.

If there are specific people you absolutely want in the chairs, tell your DJ or planner beforehand.

Then hang on.



SPEECHES & SPECIAL MOMENTS

If it's happening once,
I want to know about it.

Most of the day I can follow what's happening naturally.

But surprises are considerably easier to photograph when they're only a surprise to the person being surprised.

Tell me about

Speeches

Candle lighting

Surprise performances

Video presentations

Special dances

Gifts or presentations

Anything sentimental

Anything completely ridiculous

You don't have to tell the Mitzvah kid.

Just tell me.

PHOTO BOOTHS, SIGNING BOOKS & ALL THE OTHER STUFF
Put them somewhere people will actually use them.

Photo booths, signing books, signing boards and memory pieces are great.

But think about where they live in the room.

If the signing book is hidden behind a speaker in a dark corner, half the guests won't know it exists.

If the photo booth blocks the entrance, you'll have eighty people trying to take off their coats while somebody is wearing a giant foam cowboy hat.

Give these things their own little bit of space.

Your planner and venue will usually have good suggestions.

 

THE TIMELINE
Build in ten minutes of nothing.

Schedules slide.
Hair runs late.
Someone forgets a tie.
A grandparent needs an extra few minutes.

Toronto traffic does what Toronto traffic does.

The problem isn't one thing being ten minutes late.

It's when every part of the schedule depends on the thing before it being exactly on time.

Give yourself a buffer.

Ten minutes of apparently wasted time can save half an hour of stress later.

A simple rhythm

ARRIVAL
Details, room and getting settled.

FAMILY
Essential combinations first.

PORTRAITS
Focused and efficient.

CEREMONY
Rules and important moments already known.

PARTY
Timeline shared.

THEN...
Let it happen.



ONE WEEK OUT
Send me the final version.
Not version seventeen.

A few days before the Mitzvah, send me the
actual final timeline.

By then I want the real information.

Jonni's one-week checklist

Final timeline

Exact addresses

Parking or loading information if it's complicated

Family-photo list

Grandparents' names

Synagogue photography rules

Planner or venue contact

DJ contact if useful

Speeches and special moments

Any surprises I should know about

Anything that's changed since we last spoke

You don't need to send me a 14-page production manual unless you actually have one.
I just need to know

where I'm supposed to be, when I'm supposed to be there, and what I shouldn't miss.



ON THE DAY
Stop managing the photographer.

Seriously.

Once I know the plan and the people, you shouldn't have to think about me very much.

I'll keep an eye on the timeline.
I'll find the grandparents.
I'll make the family photographs happen.
I'll photograph the details.
I'll watch what's happening around me.
And once the formal stuff is finished, I'll follow the story of the day.

Your job is considerably harder.
You're the parent.

Go hug people.
Have a drink.
Dance badly.
Cry during the speech you swore you weren't going to cry during.
Enjoy your kid.

I'VE GOT THIS
I'll take care of the photographs.



ONE LAST THING
Perfect isn't particularly interesting.

Something will run late.
Somebody will refuse to be in a photograph.
The weather may not cooperate.
A button will come off.
A speech will go completely off script.
A kid will spill something five minutes after getting dressed.

That's a Mitzvah.

The photographs don't need everything to be perfect.

They need the people you love, being themselves, on a day worth remembering.

That's the good stuff.



THAT'S IT.
Now go have a Mitzvah.
 

If you've already booked me, we'll go through the details together as the day gets closer.

If you're still looking for a photographer and this sounds like the way you'd like your Mitzvah photographed, let's talk.

Jonni Super Photography
Toronto Mitzvah Photography
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